Biz susalım onlar konuşsun 🙂

http://fotoanaliz.hurriyet.com.tr/galeridetay.aspx?cid=59049&rid=4369&p=1 " onclick="window.open(this.href);return false;

Son mesajlar gözükmüyor ve de birkaç saat önceki haline dönmüş.
Sunucu da bir sorun oldu da forum'un şimdiki hali elinizdeki en son versiyonuna mı döndürüldü acaba

Öyle olmuştur.

Aynı işlevlerde olan üç başlığı birleştirdim ve film önerisi başlığı altında bütünleştirdim.

İzlenilesi yabancı filmler, izlenilesi yerli filmler ve film önerisi başlığı birleşti tek bir başlık oldu.
Karışıklık ortadan kalktı.

Ayrıca bu başlık sabit oldu.

Ara ara hep bu tip başlıklar hortluyor ve ben her seferinde anlamayıp siz bilirsiniz diyorum...
Yani en son izlediğim film başlığında zaten filmi önermiş ya da izlemeyin demiş olmuyor muyuz? Sadece iyileri bir araya toplamak için mi açılıyor anlamadım. Neyse ihtiyaç var ki açılıyor.

Yönetmenlerin seçtiği tüm zamanların en iyi 100 filmi 2012 BFI

Tokyo Story (1953)
Ozu Yasujirô
The final part of Yasujiro Ozu’s loosely connected ‘Noriko’ trilogy is a devastating story of elderly grandparents brushed aside by their self-involved family.

2001: A Space Odyssey (1968)
Stanley Kubrick
Adapting Arthur C. Clarke’s novel, Kubrick took science fiction cinema in a grandly intelligent new direction with this epic story of man’s quest for knowledge.

Citizen Kane (1941)
Orson Welles
Given extraordinary freedom by Hollywood studio RKO for his debut film, boy wonder Welles created a modernist masterpiece that is regularly voted the best film ever made.

8½ (1963)
Federico Fellini
Federico Fellini triumphantly conjured himself out of a bad case of creative block with this autobiographical magnum opus about a film director experiencing creative block.

Taxi Driver (1976)
Martin Scorsese
Martin’s Scorsese’s unsettling story of disturbed New York cab driver Travis Bickle (Robert De Niro) is a classic of 70s cinema.

Apocalypse Now (1979)
Francis Ford Coppola
Transplanting the story of Joseph Conrad’s colonial-era novel Heart of Darkness to Vietnam, Francis Ford Coppola created a visually mesmerising fantasia on the spectacle of war.

Vertigo (1958)
Alfred Hitchcock
A former detective with a fear of heights is hired to follow a woman apparently possessed by the past, in Alfred Hitchcock’s timeless thriller about obsession.

Godfather: Part I, The (1972)
Francis Ford Coppola
The first of Francis Ford Coppola’s epic trilogy about the Corleone crime family is the disturbing story of a son drawn inexorably into his father’s Mafia affairs.

Mirror (1974)
Andrei Tarkovsky
Andrei Tarkovsky drew on memories of a rural childhood before WWII for this personal, impressionistic and unconventional film poem.

Bicycle Thieves, The (1948)
Vittorio de Sica
Vittorio De Sica’s story of a father and son searching for a stolen bicycle on the streets of Rome is a classic of post-war Italian cinema.

Breathless (1960)
Jean-Luc Godard

Raging Bull (1980)
Martin Scorsese
Starring Robert De Niro as the middleweight boxer Jake La Motta, Scorsese’s biopic is widely acknowledged as one of the greatest films of the 1980s.

Persona (1966)
Ingmar Bergman
A nurse (Bibi Andersson) and an actress who refuses to speak (Liv Ullmann) seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.

400 Blows, The (1959)
François Truffaut
The directorial debut of film critic François Truffaut, this autobiographical story of a wayward child marked a fresh start for French cinema.

Andrei Rublev (1966)
Andrei Tarkovsky
The life of a 15th century icon painter takes centre stage in Andrei Tarkovsky’s epic meditation on the place of art in turbulent times.

Fanny and Alexander (1984)
Ingmar Bergman
The grand summation of Ingmar Bergman’s career, this epic family drama drew on the director’s own childhood experiences in early 20th century Sweden.

Seven Samurai (1954)
Akira Kurosawa
Rice farmers hire a band of samurai to defend them against marauding bandits in Akira Kurosawa’s influential epic, a touchstone for action movies ever since.

Rashomon (1950)
Akira Kurosawa
Credited with bringing Japanese cinema to worldwide audiences, Akira Kurosawa’s breakthrough tells the story of a murder in the woods from four differing perspectives.

Barry Lyndon (1975)
Stanley Kubrick
Stanley Kubrick’s exquisitely detailed adaptation of William Makepeace Thackeray’s novel about the picaresque exploits of an 18th century Irish adventurer.

Ordet (1955)
Carl Theodor Dreyer
The penultimate film by the Danish master Carl Theodor Dreyer is a parable on the power of faith, set in a remote religious community.

Au Hasard Balthazar (1966)
Robert Bresson
Robert Bresson’s distinctive pared down style elicits extraordinary pathos from this devastating tale of an abused donkey passing from owner to owner.

Modern Times (1936)
Charles Chaplin
The final outing for Charlie Chaplin’s beloved Tramp character finds him enduring the pratfalls and humiliations of work in an increasingly mechanised society.

Atalante, L' (1934)
Jean Vigo
Newly-weds begin their life together on a working barge in this luminous and poetic romance, the only feature film by director Jean Vigo.

Sunrise (1927)
F. W. Murnau
Lured to Hollywood by producer William Fox, German Expressionist filmmaker F.W. Murnau created one of the silent cinema’s last and most luminous masterpieces.

Règle du jeu, La (1939)
Jean Renoir
Made on the cusp of WWII, Jean Renoir’s satire of the upper-middle classes was banned as demoralising by the French government for two decades after its release.

Touch of Evil (1958)
Orson Welles
Orson Welles’ return to Hollywood after ten years working in Europe is a sleazy border tale in which he takes centre stage as gargantuan detective Hank Quinlan.

Night of the Hunter, The (1955)
Charles Laughton
Actor Charles Laughton’s only film as a director is a complete one-off, a terrifying parable of the corruption of innocence featuring a career-best performance from Robert Mitchum.

Battle of Algiers, The (1966)
Gillo Pontecorvo
Gillo Pontecorvo’s masterpiece about the turbulent last years of French colonial rule in Algeria, seen from the perspective of both the guerrilla revolutionaries and the French authorities.

strada, La (1954)
Federico Fellini
A brutish travelling strongman (Anthony Quinn) acquires a waif-like young assistant (Giulietta Masina) before taking to the road in Federico Fellini’s acclaimed neo-realist fable.

Stalker (1979)
Andrei Tarkovsky

City Lights (1931)
Charles Chaplin

The Tramp wins the affections of a blind flower seller (Virginia Cherrill) in this hilarious but heartbreaking comedy – one of Charlie Chaplin’s uncontested masterpieces.

Avventura, L' (1960)
Michelangelo Antonioni
In Michelangelo Antonioni’s groundbreaking and controversial arthouse milestone, the mystery of a woman’s disappearance from a Mediterranean island is left unresolved.

Amarcord (1972)
Federico Fellini
Federico Fellini returned for inspiration to his own childhood in 1930s Rimini for this colourful comedy-drama about life in a small seaside town under Fascist rule.

Gospel According to St Matthew, The (1964)
Pier Paolo Pasolini
Pier Paolo Pasolini’s third feature abandons the profane in favour of the sacred in a documentary-like retelling of the story of Christ.

Godfather: Part II, The (1974)
Francis Ford Coppola
The expansive second part of Francis Ford Coppola’s Mafia saga continues the Corleone family story, charting in parallel young Vito’s earlier rise to prominence.

Come And See (1985)
Elem Klimov

listeden geri kalanlar:

http://explore.bfi.org.uk/sightandsoundpolls/2012/directors/ " onclick="window.open(this.href);return false;" onclick="window.open(this.href);return false;

Komedi filmlerini çok severim. 'Patrondan kurtulma sanatı' favorimdir. Ama galiba izleye izleye komedi filmi bırakmadım. Aşağıdaki listedeki filmler dışında bana komedi filmi önerecek bir yiğit var mı 🙂

En iyi komedi filmleri

Napoleon Dynamite .eşimin zorla izlememe ikna ettiği 2004 yapımı harika bir komedi.

'Blue is the warmest color' ve ' Inside llweyn davis' son hafta favorilerim..

Emir Kusturika tüm filmleri

- Children of Men (son umut)

gençlik-dram-festival-komedi vb. türü yaz tatilinde ve ya okulda geçen filmler var mı mesela geri dönüş yolu ve ya ben buyum gibi filmler ?

hababam sınıfı tatilde

Durdurulamaz filmini şiddetle tavsiye ediyorum. Bir yönetmen olarak gerçekten iyi çekildiğini söyleyebilirim.

http://www.rayyapim.com

- Postacı olmak ilginç bir şey mi?

- Bana göre her şey ilginç.

0:45:42 Izgnanie (Sürgün) Yön: A. Zvyagintsev

http://filmfabrikasi.com/forum/viewtopic.php?f=15&t=4439&p=84846&hilit=Heydrich#p84846 Bunun filmini yapmışlar. Anthropoid.